In this movie the three theorists studies can be applied, as Todorov’s theory of 5 stages of a linear narrative, Tarantino employs a major distortion of real time; for example, Vincent is shot dead by Butch but returns on-screen a few scenes later, which shows that this movie does not have a linear narrative and shows time over a weekly/monthly period. Also to show the non linear narrative, the movie begins with the couple who rob a restaurant and is not resolved till the end of the film it also shows the woman not being able to control the gun she’s holding as after a matter of time she begins to panic with the gun and has to be reassured, this can show a reference that women are not in control in a mans world, this would therefore insult feminists who would watch this film from the representation of the female characters. There are a total of 7 different sequences following 3 separate narratives, however these events overlap at several points, for example the Diner sequence which opens the film also forms the setting for the conclusion of the film, albeit from a different perspective.
Levi Strauss another theorist also is in this movie as there are many binary oppositions such as life after death, as Jules after being magically missed by 6 gun shots 5 feet away from him believes that God is at work here and it is time for him to retire the bad gangster life, then him and Vincent have a long discussion that continues till the end of the movie about life after death. Another obvious binary opposition is good versus evil, but this opposition is blurred through these characters for example Vincent is a murderer but when he takes out Mia he helps her from overdosing and even more clearly Vincent cares about his partner Jules and that is clear as he is himself around him and doesn’t need to play a hard gangster.
Another theorist prop who identified the theory of characters playing specific roles either one or more than one, in this movie its obvious that Marsellus, Vincent and Jules boss is the dispatcher who sends them both on quests. Vincent and Jules both play the villain and hero as since they are gangsters they are bad but since we are following there story they are usually perceived as the heroes. The princess is Mia as she flirts with Vince and after he helps her from nearly overdosing on cocaine, she looks at him with thanks. But where it is a non linear narrative it is difficult to determine which character plays who but they all play a role, which shows that the theorist Propp’s theory was used in this movie.
There are many intertextual references in this movie some have been used for different reasons than others but many have similar reasons. For example when Jules kills a man he first recites the bible to scare them or to make them think he is a holy man, another intertextual reference is Mia’s appearance as her hair style is a direct reference to a character in the movie Pandoria’s box. This was probably done to create mystery among this character. There are also some intertextual references to the ‘Hollywood style’ where certain movements refer to Hollywood for instance when Mia, whilst talking to Vincent makes a square in front of her face like a camera, this is known from Hollywood, this was most probably done to show the relation between the movie and its director. A most obvious reference in this movie is to the 1960’s style, in this movie there are afros, funky music and retro cars, this reference was to show how major and realistic drugs, music and gangsters were in the 60’s.